It’s a truth about human perception we can’t avoid: viewers will forgive crap video if the audio rocks, but great visuals with ear-grating sound? Epic fail. So, it’s little wonder that Blue, a company that’s made spectacular microphones for digital recording since 1995, added a tiny webcam to its outstanding Snowflake USB mic to create the Eyeball webcam. The Snowflake was a golfball-sized version of Blue’s Snowball USB mic, which is what I use for all my podcasting. The Eyeball ($100) looks identical to the Snowflake but has a little pop-out webcam recessed into the lefthand side. Pop out — it’s on. Pop in — it’s off. The webcam on the Eyeball 1.0 (the one I own) is a 1.3 megapixel sensor with solid saturation, acuity and light-gathering (for a tiny sensor). It’s no Logitech Quickcam Pro 9000, but few webcams are. Eyeball 2, just released by Blue, sports a 2 megapixel sensor. In practice, I’m not sure you’re going to see much difference on Canadian bandwidths. And, it’s the mic that rocks the Eyeball — it’s a terrific cartioid-pattern capsule mic with solid bass response capable of CD-level recording. The whole shebang packs up into a tough small housing for portable podcasting — when you need a roving eyeball.




